Everything about John Parkinson Botanist totally explained
John Parkinson (
1567–
1650; buried
6 August 1650) was the last of the great
English herbalists and one of the first of the great English
botanists. He was
apothecary to
James I and a founding member of the
Worshipful Society of Apothecaries in December 1617, and was later Royal Botanist to
Charles I. He is known for two monumental works,
Paradisi in Sole Paradisus Terrestris (
Park-in-Sun's Terrestrial Paradise, 1629), which generally describes the proper cultivation of plants; and
Theatrum Botanicum (
The Botanical Theatre or
Theatre of Plants, 1640), the most complete and beautifully-presented English treatise on plants of its time. One of the most eminent gardeners of his day, he kept a botanical garden at
Long Acre in
Covent Garden, today close to
Trafalgar Square, and maintained close relations with other important English and
Continental botanists, herbalists and
plantsmen.
Biography
Parkinson, born in 1567, spent his early life in
Yorkshire. He moved to London at the age of 14 years to become an apprentice
apothecary. Rising through the ranks, he eventually achieved the position of
apothecary to
James I, and a founding member of the
Worshipful Society of Apothecaries in December 1617; until 1622 he also served on the Court of Assistants, the Society's governing body. In addition, he assisted the Society in obtaining a grant of
arms and in preparing a list of all medicines that should be stocked by an apothecary. He was on the committee that published their
Pharmacopœia Londinensis (
London Pharmacopœia) in 1618.
Then, on the cusp of a new science, he became
botanist to
Charles I. Anna Parkinson, a "distant descendant" When he summed up his experience in writing
Paradisi in Sole Paradisus Terrestris (
Park-in-Sun's Terrestrial Paradise, 1629 – "Park-in-Sun" is a pun on "Parkinson"), with the explanatory subtitle
A Garden of all sorts of pleasant flowers which our English ayre will permit to be noursed up, it was natural that he dedicated this work, which he called his "Speaking Garden", while the Hunt catalogue described it as "a very complete picture of the English garden at the beginning of the seventeenth century, and in such delightful, homely, literary style that gardeners cherish it even to the present day."
The work, which describes the proper cultivation of plants in general, was in three sections: the flower garden, the kitchen garden, and the orchard garden. It didn't include specific growing instructions for each type of plant, but at the start of each main section Parkinson provided instructions on "ordering" each type of garden, advising on situating and laying out a garden, tools, soil improvement, grafting, planting and sowing and the types of plants that should be included in each type of garden. It contained illustrations of almost 800 plants in 108 full-page plates. Most of these were original
woodcuts made by the German artist Christopher Switzer, but others appear to have been copied from the works of
Matthias de Lobel,
Charles de l'Écluse and the
Hortus Floridus of Crispijn van de Passe the Elder.
Theatrum Botanicum, with 1,688 pages of text, describes over 3,800 plants and was the most complete and beautifully-presented English treatise on plants of its day. It was the first work to describe 33 native plants, 13 of which grew near Parkinson's
Middlesex home. Some of these plants, such as the
Welsh poppy, the
Strawberry Tree and the
Lady's Slipper, were very common but had gone unnoticed or at least unrecorded. at the foot of the title page warned the gardener against
hubris and in having excessive regard for his efforts, for whoever tries to compare Art with Nature and gardens with Eden "measures the stride of the elephant by the stride of the mite and the flight of the eagle by that of the gnat". that it was at least two
acres in size and probably surrounded by a wall. Four hundred and eighty-four types of plant are recorded as having been grown in the garden. He is commemorated in the
Central American
genus of
leguminous trees
Parkinsonia.
Paradisi in Sole also inspired the children's writer
Juliana Horatia Ewing (1841–1885) to write the story
Mary's Meadow, which was first published from November 1883 to March 1884 in
Aunt Judy's Magazine (1866–1885), produced by her mother
Margaret Gatty. In the story, some children read
Paradisi in Sole and are inspired to create their own garden. The magazine received much favourable correspondence about the story, and in July 1884 it was suggested that a Parkinson Society should be formed. The objects of the society were to "search out and cultivate old garden flowers which have become scarce; to exchange seeds and plants; to plant waste places with hardy flowers; to circulate books on gardening amongst the Members... [and] to try to prevent the extermination of rare wild flowers, as well as of garden treasures."
Works
Folio. In some copies the title page is woodcut; in others it's printed (dated 1635). Later editions and reprints:
- Folio.
-
-
- Facsimile of the 1629 edition without the letterpress title page, made from copies in the Bodleian Library.
- Facsimile of the 1629 edition.
-
Folio. Reprints:
Further Information
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